The sex life of a character is no less important than their career, family dynamics, finances or social life, and a good sex scene, no matter who the participants are, should be about far more than body parts. So why is it so hard for good writers to write sex scenes well? How do we know when to show a sex scene and when to infer it? What makes a sex scene compelling and essential rather than pornographic and pathetic? In this workshop we will discuss the issues of writing a sex scene in literary fiction; review a few examples of successes and failures; and maybe even try our hand at writing one of our own.
Evan Fallenberg is author of the novels Light Fell (Soho Press), When We Danced on Water (HarperCollins) and The Parting Gift (Other Press) and a translator of Hebrew literature. His work has won or been shortlisted for awards, including an American Library Association Award, the Edmund White Award and the PEN Translation Prize. He teaches at Bar-Ilan University and, formerly, at Vermont College of Fine Arts and City University of Hong Kong.